The Center of the Table - January 2008

The Center of the Table - January 2008When we observe someone playing great pool and making the game look easy, we should try and determine why everything looks so effortless and natural. Often the reason is that great players know how to make easy choices. Because a typical pool game offers so many options and possibilities, great players must find a way to organize each layout into familiar patterns that allow them to run out the rack in spite of each layout’s uniqueness. I believe that we are constantly feeding what we face in the present into a bank of memories in order fit the current problem into a template for solving it. Sometimes however, despite our experience, we look at a shot without a crystal-clear picture of what comes next, perhaps because the position we need is too difficult or even impossible to attain. In those cases we fall back on certain strategies that offer the best probability of continuing the run.

Occasionally in a pool game, more frequently in ones that offer shot selection such as eight ball or straight pool, even the best players may not know exactly how to play the next shot or even which ball to shoot next. When you find yourself uncertain about the next shot, the best course of action is to maximize your chances by getting the cue ball to a place on the table that offers the most options and the highest probability of a good shot to play next. In most situations that place is the center of the table.

Great pool players all share a strong, natural feel for getting the cue ball to the center of the table from almost any position. This month’s exercise will help you develop that feel. The diagram below shows two shots that will serve as an introduction to the center of the table for you. Place the object ball on the table as you see it in the diagram and mark its position. Place the cue ball at point A and play the shot with a soft punch stroke and a below-center hit to move it along the line, one rail, to the center of the table. Adjust your hit on the cue ball, higher or lower, to make it move on the line before tuning your speed to make the cue ball come to rest where you want it. Remember to think about what you will do before you get into your stance so you can shoot the shot with complete focus on the object ball and no thinking once you are in your stance. When you are hitting the center of the table pay close attention to the way this feels to you. The way successful execution feels is what you will want to recall while you are preparing to hit a shot.

After you are satisfied with your feel for the center of the table on the one-rail shot, move the cue ball to position B for the two-rail shot. For this shot you will employ the same punch stroke and will add a touch of running english to the cue ball, in this case a half tip or less of left. Do not try to spin the cue ball to the center of the table with excessive english. You only need enough to get the cue ball out of the corner with a natural roll. Allow yourself a six-inch range around the center spot for both shots. Keep practicing however and soon you will amaze yourself with your ability to hit the center spot with precision.

Focus more on hitting the line than on your speed. In other words, a cue ball that rolls over the center spot or lands on the line just short of it is preferable to one than stops near the center but is completely off of the line. You will see why as you proceed with the exercise. Set up both shots again and hit them with enough speed to roll over the center spot and into the labeled, shaded areas for position on end-rail balls. Here now is one of the game’s most powerful principles. A cue ball rebounding from a rail and rolling over the center spot cannot scratch. When you can combine this knowledge with a confident feel for the center of the table you will experience the freedom to play two, three, and four-rail position shots with no fear of scratching.

After completing the exercise and satisfying yourself with your feel for the center of the table try to set up some other common shots that employ one, two, or three-rail paths to and through the center of the table. Now that you have developed feel and confidence for the center of the table you can incorporate these essential techniques into your game. When you find yourself in a situation where you are uncertain about the next shot you can ask yourself how things will look from the center of the table and may be amazed at how promising the rack often looks from there. When you need to send the cue ball around the table for position you will be able to roll it through the center confidently. While watching professionals, pay attention to how often they move the cue ball to and through the center of the table during their run outs. The frequency you observe may seem astounding.